<i>Photo taken on the next recording session on Cut Hill summit, so ignore the foreground recorder. This recording was made right beside the actual summit, which is on the skyline, about centre of this view, and was facing about the same direction as the foreground recorder here, but somewhat recessed in the peat hag system for shelter from the breeze.</i> <b>Techie stuff:</b> The recorder was Sony PCM-M10, with R&#248;de DeadKitten furry windshield, and it was placed on a Hama mini tripod, which meant it was only a very few inches above the ground. Initial post-recording processing was to apply an EQ curve to compensate for muffling from the furry windshield, and, much more recently, to apply 200% widening of stereo soundstage, using A1 Stereo Control, followed by an EQ tilt away from the treble (straight line from no change at 100Hz, to -7dB at 8kHz) to compensate for the treble boost resulting from the stereo widening. <b>Please remember to give this recording a rating &#8212; Thanks! <img alt="" src=https://freesound.org/people/Philip_Goddard/sounds/667310/"https://www.broad-horizon-nature.co.uk/me-icon_wink.gif">" />