<i>On the broad south spur of Amicombe Hill, on my way to Cut Hill (broad rise in centre on skyline) for this recording session (i.e., on 6 May 2013). Very challenging terrain for hiking, but at least one is serenaded by skylarks at this time of year.</i> <img alt="This recording session on Cut Hill summit area" src=https://freesound.org/people/Philip_Goddard/sounds/833550/"https://www.broad-horizon-nature.co.uk/130506_recording_skylarks_on_cut_hill,_remotest_dartmoor_01.jpg"> <i>View during this recording session (the first concurrent pair) — R2 recorder, with some rushes close-by, which give a distinct 'rushing' quality to the wind sound, while R1 was sheltered by one of the skyline peat scarps in the centre of this view. Positions for the second consecutive pair of recordings were some 10 to 20 metres to left of this view, again sheltered from the stiff breeze by respective peat hags.</i> <b>Techie stuff:</b> The recorders were Sony PCM-M10, with R&#248;de DeadKitten furry windshield, and they were both placed on respective Hama mini tripod, which meant they were only a very few inches above the ground, but at least could be relatively sheltered by suitable peat hags. Initial post-recording processing was to apply an EQ curve to compensate for muffling from the furry windshield, and, much more recently, to apply 160% widening of stereo soundstage, using A1 Stereo Control, followed by an EQ tilt away from the treble (straight line from no change at 100Hz, to -6dB at 8kHz) to compensate for the treble boost resulting from the stereo widening. In the earlier version I'd overdone the widening (200%), which had weakened integrity of the soundstage, though that was still a great improvement on the atrocious stereo imaging of the original. <b>Please remember to give this recording a rating &#8212; Thanks! <img alt="" src=https://freesound.org/people/Philip_Goddard/sounds/833550/"https://www.broad-horizon-nature.co.uk/me-icon_wink.gif">" />